Tag: PCM

Fast moving, patriotic action scenes keep the spunky Magnificent Warriors wildly entertaining.

An aged Julian Sands makes his comeback to genre flicks in Ghosts of Monday, which throws everything at you with a dash of style

Harmlessly goofy, Men at Work takes the blue collar worker into the world of corporate politics with reckless glee.

Rousing comedy and spectacular stunts fill the openly oddball import Millionaires' Express.

Crummy low-budget horror, Children Shouldn't Play with Dead Things is saved by its hilariously overdone dialog.

Director Noah Baumbach disowned the indie ensemble effort Highball, an amateurish work closer to sketch comedy.

Awful yet fascinating, Legend of Dinosaurs despises humanity in a way few monster movies do, creating a premium example of '70s era fatalism.

Consistent tension, fear, and social decay mark Night of the Living Dead, creating a masterpiece in the process.

Cary Grant looked down on his mania in Arsenic and Old Lace, but it's wonderfully kitschy comedy work beyond the '40s era norms.

Dona Flor is an off-beat and occasionally insightful sensual comedy from Brazil that made actress Sonia Braga an international star in the 1970s.

Ahead of its time, Canadian Bacon's fired up satire spreads itself thin, but doesn't miss any potential targets on the the way.

Hollywood producer Don Murphy's first and only effort as director, Monday Morning is a strange mishmash of violent sensationalism and a weirdly naive perspective on clashing high school kids.