A marvelous exploration of life and purpose, Soul goes deeper than even Pixar's usual standards in detailing the afterlife while still presenting a charming front.
Tag: dolby atmos
Even in superhero movie logic, Wonder Woman 1984 shows little common sense and it's burdened by an enlarged runtime that doesn't feel necessary.
Gattaca uses genetic tinkering to intelligently explore diversity and social bias through a successful sci-fi lens.
While its central story follows pedestrian plotting, News of the World succeeds by exposing an ugly history through empathetic eyes.
Godzilla doesn't rush into city-smashing spectacle, bravely going against expectations, and aside from missteps, it's a special blockbuster.
Messily edited and vapid, even by Paul W.S. Anderson videogame movie standards, Monster Hunter is a dud.
The Croods: A New Age doesn't aim to try anything new, but tells a familiar story in a fun, expedient way.
More an attempt to create a ludicrous theme park ride than movie, 2012's absurdities, stock characters, and lengthy runtime make this a bloated, empty spectacle.
Smart and stimulating, Prince of Darkness begins with a striking concept, but falls apart as it descends into horror tropes.
Breaking down myths of Reagan-era policies, They Live isn't always so clear, but it's a smart, calculated smear of a world burdened by inequality.
Killing Them Loudly There’s a morally reprehensible angle to Vigilante. Not only this film, but others of its brethren too, although Vigilante acts with a forthrightness. Fred Williamson exits …
Total Recall sells a wild, space-faring fantasy, but makes its star almost secondary to the heroics as he saves the world.