The unrelenting cynicism and Vin Diesel's manufactured cool leave Pitch Black overly repetitious.
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Appallingly crass, New York Ripper freely exploits a city drowning in crime, sparing nothing to depict a surreal - if authentically grounded - serial killer story.
A genuine shocker predicting a decade of cruel criminality, Lucio Fulci's House by the Cemetery spares few details, if ultimately let down by pace and crude dubbing.
Grandiose, lavish, and meticulous, Lawrence of Arabia's anti-war stance celebrates its hero as much as resenting his defeat.
Jaws holds it status after 45 years not because its a memorable horror or monster movie, but for its ability to use the shark as a catalyst for change.
Arguably bettering even HG Wells' original story, the new take on The Invisible Man pairs flawlessly to modern times with a focus on the victims.
Likely the best outcome for a live action Sonic the Hedgehog movie sticks to safe, proven formula and mild humor.
There's little to takeaway from Maniac, but it's worth exploring the culture that brought it into existence in the first place.
While notable and even celebrated for its gore, Zombie isn't without its masterstrokes in camera work, trend setting, and fearfulness.
Birds of Prey focuses on remaking Harley Quinn, but in doing so, ignores the more interesting and nuanced characters around her.
Days of Thunder repeats movie history to an exacting degree, and while an entertaining watch, the story is a listless jumble.
It's hard not to be drawn in by Top Gun's lavish, theatrical presentation even if its routine story does nothing unpredictable.