Joel's comic mishaps throughout Love and Monsters prove wildly entertaining, but it's the central theme that makes this genre mashup work.
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While overburdened with schmaltz and coated nostalgic, Cinema Paradiso finds new meaning amid a changing movie marketplace.
A comedy horror masterpiece, Tremors' creative streak is ceaseless, even when leaning on familiar tropes.
Killing Them Loudly There’s a morally reprehensible angle to Vigilante. Not only this film, but others of its brethren too, although Vigilante acts with a forthrightness. Fred Williamson exits …
Total Recall sells a wild, space-faring fantasy, but makes its star almost secondary to the heroics as he saves the world.
Unique in its near future apocalypse, Mad Max takes to the road for a revenge tale, filled with violence and character.
An overlong slog through exposition territory, Desolation of Smaug leaves characters dangling on the way to a spectacular finish.
The Hobbit begins with An Unexpected Journey that's too often expected and too long, if still enjoyable fantasy fare.
Collateral intelligently makes an audience question their own morality, and follows two men looking for a way to prove they're right.
Frodo's heroism succeeds among Return of the King's endless fighting - and yet he never kills anything himself, a true pacifist's fable.
The Two Towers is an unusually optimistic middle chapter, imperfect, if ensuring Frodo is a notable, memorable hero.
While time sapped the visual effect's prowess, at its heart, The Fellowship of the Ring maintains its raw fantasy, and works in the now as it did when first …