Cecil B. DeMille's The Ten Commandments remains one of the most important and successful Hollywood epics ever devised.
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Even in superhero movie logic, Wonder Woman 1984 shows little common sense and it's burdened by an enlarged runtime that doesn't feel necessary.
The Croods: A New Age doesn't aim to try anything new, but tells a familiar story in a fun, expedient way.
Smart and stimulating, Prince of Darkness begins with a striking concept, but falls apart as it descends into horror tropes.
Breaking down myths of Reagan-era policies, They Live isn't always so clear, but it's a smart, calculated smear of a world burdened by inequality.
Joel's comic mishaps throughout Love and Monsters prove wildly entertaining, but it's the central theme that makes this genre mashup work.
While overburdened with schmaltz and coated nostalgic, Cinema Paradiso finds new meaning amid a changing movie marketplace.
A comedy horror masterpiece, Tremors' creative streak is ceaseless, even when leaning on familiar tropes.
Killing Them Loudly There’s a morally reprehensible angle to Vigilante. Not only this film, but others of its brethren too, although Vigilante acts with a forthrightness. Fred Williamson exits …
Total Recall sells a wild, space-faring fantasy, but makes its star almost secondary to the heroics as he saves the world.
Unique in its near future apocalypse, Mad Max takes to the road for a revenge tale, filled with violence and character.
An overlong slog through exposition territory, Desolation of Smaug leaves characters dangling on the way to a spectacular finish.