Category: Horror

In terms of the shot-on-VHS genre, Ozone is among the best in its class, if you know what you're getting into.

Inferno of Torture is a visually captivating plunge into erotic violence courtesy of gifted Japanese exploitation filmmaker Teruo Ishii.

A slick slasher from Argentina, What the Waters Left Behind pays homage to the genre's seminal films without feeling unnecessary or derivative.

An eerie, thoughtful examination of post-war Japan, H-Man uses numerous tropes for its horror, but succeeds in mood, theme, and visuals.

Pulpy sea-faring adventure from Hammer, The Lost Continent never finds a groove before trotting out hokey mutant monsters.

Dream Demon found itself ahead of its time in depicting emotional manipulation and how social standards impacted women.

If the reaction is to reflexively shy away from The Hunt, it's best to ask why that is since the satire is reflecting a current reality.

While a slog to sit through, at least Blood Tide tries to do something different with an exploitative concept.

Routine sci-fi/horror/noir pieces fill Monster and the Girl, a movie dependent on story beats that came before.

Horrendously dated in its worldview, Captive Wild Woman stands against Germany's WWII ideology, but makes equally egregious errors of its own.

Ranking near the bottom of Universal's golden era genre output, Jungle Woman is a messy, cheap production lacking in substance.

Being the best of the Paula Dupree trilogy doesn't say much, but at least Jungle Captive shows a little competency.