A genre masterpiece, The Good, the Bad, the Ugly doesn't suffer after decades of reference, parody, and copycats.
Not only poking fun at Star Wars, Spaceballs takes aim at the film industry as a whole in a clever spoof with every Mel Brooks signature.
Although Mel Brooks refined his comedy style in time, The Producers is still one of the most inspired film comedies ever made.
At times comical, campy, and absurd, Buried Alive still cleverly finds a sharp metaphor for a changing social dynamic.
Unique in its near future apocalypse, Mad Max takes to the road for a revenge tale, filled with violence and character.
An intimate, personal portrayal of esteemed composer and musician, Ryuichi Sakamoto: CODA delves into more than just his musical accomplishments.
While lacking in story or character depth, DeepStar Six nicely mixes the underwater disaster and creature feature genre.
Buster Keaton succeeded again in Our Hospitality, a story of feuding families given life through full scale train stunts, dangerous rapids, and sight gags.
Michael Gough tries as an impossibly evil scientist, but Konga rates as one of the dopiest big ape movies in its attempt to play things straight.
“No Problem!” Baby’s star is a doughy-eyed, infant Brontosaurus who often acts like a lost, scared puppy. It’s a kids movie, or it seems as such. To Baby’s credit …
Brazilian Romancing Jivaro is a movie of sweaty, barrel-chested men sailing on exotic Brazilian waters with their shirts open, fawning over the one American woman in their camp. The …
Okey-dokey Hannibal idolizes its killer. Lecter is surrounded by elegance and seductive cinematography, sweeping through lush Italian locations. It’s high class, swelling with mournful violins and coated in operatic …