A pedestrian action flick that mostly wastes Jean Reno and Ruby Rose, The Doorman offers little beyond remaking Die Hard.
Visibly digital lions kill people throughout Rogue, a movie trying to convince people to stop killing lions.
Bruce Willis cashes another paycheck in the forgettable, meandering Survive the Night.
Unrelenting in its pace and exhausting in its tension, Uncut Gems is an editing masterpiece much as it is a balanced allegory.
Bombshell's story isn't what matters, rather how Bombshell portrays the pressure, anxiety, and fears of women trying to undue decades of power.
While the mystery's final reveal is deflating in its simplicity, Knives Out succeeds in taking a western view of a rich/poor dynamic.
Midway indulges in messy, repetitive, and choreographed action, made worse through sloppy exposition in the script that drives hokey patriotism instead of authentic stakes.
Bruce Willis barely matters in Trauma Center, letting Nicky Whelan take over the key role in this routine if marginally satisfying thriller.
A so-so supernatural thriller aimed at teens, the few nicely crafted set pieces don't make up for The Gallows Act II's lame script and boring characters.
Rambo: Last Blood ignores the character's origins for something vengeful and outrageously violent to close John Rambo's legacy.
Somehow the third movie in this series, Angel Has Fallen isn't any better than its equally dopey predecessors.
Midway is far too hollow and selective a film to depict such a critical point in World War II's Pacific front.