While the mystery's final reveal is deflating in its simplicity, Knives Out succeeds in taking a western view of a rich/poor dynamic.
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Frozen II, on its surface, doesn't alter modern animation's form, but its story embraces the fight against historical revisionism.
Gentle and calming, even A Beautiful Day in the Neighborhood's style represents Mr. Rogers' method in a genuine tribute.
Midway indulges in messy, repetitive, and choreographed action, made worse through sloppy exposition in the script that drives hokey patriotism instead of authentic stakes.
Nicolas Cage sticks to his usual eccentric form in a cruel, observant update of Lovecraft's Color Out of Space.
During the '60s social upheaval, Ford v Ferrari hones in on corporate war and the working class men looking to settle it out of pride.
While strong at its core, Doctor Sleep loses its way in a haze of nostalgia and potential franchise building.
Examining America's post-war truth, Shutter Island smartly traps its lead character on an island where the only out is admitting reality.
While the first film twisted Sleeping Beauty lore into something unique, Maleficent: Mistress of Evil boils over into a modern political debate.
Cynical and harsh, Ad Astra isn't afraid to demean humanity's efforts in space when viewed through a family separation.
Made for the now, this sequel smartly updates the lore, but Terminator: Dark Fate succumbs to action overload - both in quantity and scale.
While daring in tackling a core American value, Gemini Man's script punches too hard and falls to countless thriller cliches in doing so.