Inglorious Basterds never holds back in showing cruelty or violence, mastering the Nazi-sploitation for something that's as rich as it is exploitative.
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Superficial nonsense in the extreme, Hansel & Gretel: Witch Hunters takes morbidity of Grimm and has a total blast with it.
Cruella is a cynical delight that overcomes a ridiculous premise by nailing its tone from the outset to make a villain an actual hero.
A sensational, smart comic book story, Unbreakable is better now than on release.
To space they go, and thankfully F9: The Fast Saga carries enough of a self-aware wink to make some of the absurdity tolerable - but not all.
A routine espionage thriller reveals its theme too late, leaving Black Widow without much purpose in the wider Marvel story arc, even if the action is impressive in spots.
The third franchise installment, The Conjuring: The Devil Made Me Do It explores what happens when an exorcism goes wrong in chilling terror. A new twist on old friends …
Shawshank Redemption legitimized the cliche prison movie, created indelible characters, and tore down a system by staying ambivalent toward violence. A masterwork.
A gory classic and perfect horror film, The Thing is a genre masterpiece that hasn't lost anything from the intervening decades.
A playful delight with genuine global stakes, Star Trek IV is the easiest watch of the series and arguably the best for it.
A clumsier entry, Star Trek III tells a fantastic story continuation, but lacks urgency in the narrative to convey the desperation of these characters.
A powerful and morally complex sequel, Star Trek II is the epitome of the franchise as it delves into religious and life-affirming challenges.