Blade's smart approach to vampires uses engaging martial arts and splashy visual effects to show an allegory about race and generational division.
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Battle of the Five Armies finds purpose and settles storylines amid a gargantuan battle, plus offers a reasonable runtime.
An overlong slog through exposition territory, Desolation of Smaug leaves characters dangling on the way to a spectacular finish.
The Hobbit begins with An Unexpected Journey that's too often expected and too long, if still enjoyable fantasy fare.
Collateral intelligently makes an audience question their own morality, and follows two men looking for a way to prove they're right.
Frodo's heroism succeeds among Return of the King's endless fighting - and yet he never kills anything himself, a true pacifist's fable.
The Two Towers is an unusually optimistic middle chapter, imperfect, if ensuring Frodo is a notable, memorable hero.
While time sapped the visual effect's prowess, at its heart, The Fellowship of the Ring maintains its raw fantasy, and works in the now as it did when first …
More than just fish-out-of-water comedy, Coming to America makes full use of its outstanding cast to speak on romance and wealth.
Cleverly set up and consistently entertaining, Beverly Hills Cop ranks as one of the best of its kind while smartly mixing cross-country cultures.
The New Mutants eschews large scale action for something more intimate and focused, daring to go against trends.
While carrying controversy along with it, Mulan successfully embellishes the feminist themes with a stronger reality base.