Friday the 13th unapologetically borrows from Halloween's success, but adds a careful, well considered angle to differentiate itself.
Tag: Scream Factory
Although using a few interesting story angles, Ghost Ship succumbs to a generic formula after an incredibly brutal and memorable opening.
The cult television series Tales from the Darkside hits the big screen with a pleasing anthology of three frightening and gruesome tales, from names such as Stephen King, George …
Charmingly stupid and cornball, Earth vs the Spider still manages to click in the "teens versus monster" sub-genre of the late '50s.
Eccentric as the concept is, Shadow of the Cat works to make itself legitimate and entertaining British horror.
Sluggish and utter nonsense, The Thing That Couldn't Die doesn't entertain even with its ludicrous, delicious premise.
Evil snake worshipers bring their wares to American shores in Cult of the Cobra with middling results.
There's not a single surprise in The Black Castle, but it's invitingly familiar, using all of Universal's best cliches and tropes.
Routine sci-fi/horror/noir pieces fill Monster and the Girl, a movie dependent on story beats that came before.
Horrendously dated in its worldview, Captive Wild Woman stands against Germany's WWII ideology, but makes equally egregious errors of its own.
Ranking near the bottom of Universal's golden era genre output, Jungle Woman is a messy, cheap production lacking in substance.
Being the best of the Paula Dupree trilogy doesn't say much, but at least Jungle Captive shows a little competency.