Tag: Scream Factory

Sloppy and unfocused, Lifeforce's hybrid of British sci-fi and horror finds its best when being outlandishly visual.

The Craft is a work of pure '90s teen rebellion, concentrated in Goth culture, saved by the stellar cast.

A smartly conceived take on slasher cinema and inner city lore, Candyman's power lies in its lasting social consciousness.

Nightmare is a lesser but atmospheric psychological chiller fashioned out of a twisting screenplay.

Filled with stock characters, a stock plot, and cheesy tone, Alligator II is a dud sequel with only a few creature feature highlights.

The Howling is a ruthless look at social decline, and more chilling for its perspective than its werewolf elements.

A convincing, morbid monster flick, Alligator's script finds the right tone, selling itself on gore, effective tension, and (mostly) successful effects.

An uneven holiday horror comedy, Krampus finds its groove in places, but can't sustain the momentum to carry it to feature length.

The memorably unique Brotherhood of the Wolf smoothly marries the artistry of Hong Kong action flicks with the trappings of a period costume drama.

David Cronenberg's compelling supernatural thriller Dead Zone weaves a wonderful Christopher Walken performance with a superb screenplay.

The Night is a slow but emotionally satisfying and haunting thriller made almost entirely in Farsi.

Delightfully cheeky and totally unoriginal, Eight Legged Freaks breaks no ground, but it's written with enough wit to sustain the appropriately short runtime.