Tag: Scream Factory

Routine sci-fi/horror/noir pieces fill Monster and the Girl, a movie dependent on story beats that came before.

Horrendously dated in its worldview, Captive Wild Woman stands against Germany's WWII ideology, but makes equally egregious errors of its own.

Ranking near the bottom of Universal's golden era genre output, Jungle Woman is a messy, cheap production lacking in substance.

Being the best of the Paula Dupree trilogy doesn't say much, but at least Jungle Captive shows a little competency.

The original cast from the hit television show returns in their first and only big-screen adventure, Munster, Go Home, visiting England as they get into hilarious antics with the …

Snoop's horror movie from the early 2000s, Bones, was created with an urban audience in mind, dating the movie's campy feel and horror.

While challenging social norms and casting Karloff as a vicious, manipulative husband, The Climax lacks any energy or drive in its storytelling.

Formed by Universal's lineage, the old house murder mystery in Night Monster proves fun, capable, and entertaining.

Night Key isn't prime Universal, but it's raised in stature by way of Boris Karloff's starring role in an otherwise typical b-feature.

Lars Von Trier tests his audience's patience with a boundary-pushing serial killer film, The House that Jack Built.

The Soska sisters' fresh take on Cronenberg's terrifying body horror classic Rabid works, with star Laura Vandervoort transforming into a dangerous beauty.

While taking pieces from multiple genre films prior, My Bloody Valentine finds a way to instill a slasher with working class fears.