Tag: Elias Koteas

The star-laden Desperate Hours pits a mercurial Mickey Rourke against Anthony Hopkins with mixed results despite the electric performances and memorable sequences.

Filled with conspiratorial paranoia, Shooter's forceful agenda is pure post-9/11 Americana to an almost satirical degree.

Gattaca uses genetic tinkering to intelligently explore diversity and social bias through a successful sci-fi lens.

A movie about fitting in while feeling different than the rest, Some Kind of Wonderful doesn't break many cliches in its method.

Examining America's post-war truth, Shutter Island smartly traps its lead character on an island where the only out is admitting reality.

Any fun which can be sucked from this planetary romp has been mutilated by an overrun of zombiefied pop culture.

The Prophecy is a well-crafted religious thriller with a number of standout performances by its cast.

Dream House isn't just inept, it's downright handicapped.

Thin Red Line isn't telling the story of Gualdacanal so much as it's expressing the philosophy of war and how it applies to this specific theater.

Fourth Kind is a farce, billed as being truth and directed with such an aggravating style, that being pulled into the story is almost impossible.

Ninja Turtles III is a movie that is almost too easy to dissect and rip apart.