Frodo's heroism succeeds among Return of the King's endless fighting - and yet he never kills anything himself, a true pacifist's fable.
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The Two Towers is an unusually optimistic middle chapter, imperfect, if ensuring Frodo is a notable, memorable hero.
While time sapped the visual effect's prowess, at its heart, The Fellowship of the Ring maintains its raw fantasy, and works in the now as it did when first …
More than just fish-out-of-water comedy, Coming to America makes full use of its outstanding cast to speak on romance and wealth.
Cleverly set up and consistently entertaining, Beverly Hills Cop ranks as one of the best of its kind while smartly mixing cross-country cultures.
A decent zombie flick, Train to Busan Presents: Peninsula lacks the ingenuity seen in the first film, choosing to follow Hollywood trends.
While stubborn in its pacing, Antebellum cleverly draws racial parallels between old South and modern America.
Daughters of Darkness is a seminal lesbian vampire thriller with stylish direction, starring Delphine Seyrig as the seductive Countess Bathory.
Giving Doc Brown a full personality, Back to the Future Part III is his movie, and sends the series out in capable hands.
Back to the Future Part II doesn't avoid a challenge in either storytelling or visual effects, and makes sure to evolve Marty McFly's character.
Taking an awkward concept and turning into an example of screenwriting fluency, Back to the Future wastes nothing in achieving pop culture perfection.
The unrelenting cynicism and Vin Diesel's manufactured cool leave Pitch Black overly repetitious.