A genre masterpiece, The Good, the Bad, the Ugly doesn't suffer after decades of reference, parody, and copycats.
Category: 4K Action
A smart western slaughter, Django upends the usual hero role for someone who must face his actions in doing right.
Even in superhero movie logic, Wonder Woman 1984 shows little common sense and it's burdened by an enlarged runtime that doesn't feel necessary.
More an attempt to create a ludicrous theme park ride than movie, 2012's absurdities, stock characters, and lengthy runtime make this a bloated, empty spectacle.
Killing Them Loudly There’s a morally reprehensible angle to Vigilante. Not only this film, but others of its brethren too, although Vigilante acts with a forthrightness. Fred Williamson exits …
Inventive in execution, Tenet tells a classic story filled with familiar themes, but visually dressing them in wild sci-fi theories.
Unique in its near future apocalypse, Mad Max takes to the road for a revenge tale, filled with violence and character.
Blade's smart approach to vampires uses engaging martial arts and splashy visual effects to show an allegory about race and generational division.
Battle of the Five Armies finds purpose and settles storylines amid a gargantuan battle, plus offers a reasonable runtime.
An overlong slog through exposition territory, Desolation of Smaug leaves characters dangling on the way to a spectacular finish.
The Hobbit begins with An Unexpected Journey that's too often expected and too long, if still enjoyable fantasy fare.
Frodo's heroism succeeds among Return of the King's endless fighting - and yet he never kills anything himself, a true pacifist's fable.