Category: Horror

While daring in trying to bring realism into an obviously exploitative cavemen movie, Creatures the World Forgot is a dull experiment.

Terror of the Tongs can't escape its racially crude depiction of Hong Kong and the lone British captain who can save the country.

Stuck between an ugly history and thrills, Stranglers of Bombay can't find its way to develop any heroes - aside from a mongoose.

Delighted in pressuring censorship norms, Die! Die! My Darling finds purpose in its violence and Tallulah Bankhead is a joy as the villain.

A killer with a blowtorch is overshadowed by his sinister lover in Hammer Studios' Maniac, a movie undone by the closing act.

Ushering in the Hammer horror era, The Curse of Frankenstein is stellar on its own even when removed from its important legacy.

Atmosphere helps lift The Gorgon over its familiar and routine horror trappings, plus Peter Cushing alongside Christopher Lee.

Unfairly contrasted to Universal's original, Hammer's take on The Old Dark House is an original comic gem with a few missteps.

While willingly stretching censorship limits from the time, The Two Faces of Dr. Jekyll falls to its own cynical worldview.

Pessimistic and cruel, These Are the Damned provides a capable nuclear-era parable that's still effective decades later.

While at least trying to explore greater cultural concerns, Curse of the Mummy's Tomb falls victim to its own generic plotting.

Hammer bends a familiar story to their creative will, establishing the studio's brand in The Revenge of Frankenstein.