Category: Horror

While a slog to sit through, at least Blood Tide tries to do something different with an exploitative concept.

Routine sci-fi/horror/noir pieces fill Monster and the Girl, a movie dependent on story beats that came before.

Horrendously dated in its worldview, Captive Wild Woman stands against Germany's WWII ideology, but makes equally egregious errors of its own.

Ranking near the bottom of Universal's golden era genre output, Jungle Woman is a messy, cheap production lacking in substance.

Being the best of the Paula Dupree trilogy doesn't say much, but at least Jungle Captive shows a little competency.

Patty McCormack stars as Mommy, willing to kill anyone in her way during these two cheesy b-movie thrillers from the 1990s.

Glenn Danzig's directorial debut Verotika offers little more than some sultry thrills and cheap body horror, despite an atmosphere that rips off better Eurosleaze and sexploitation movies.

Snoop's horror movie from the early 2000s, Bones, was created with an urban audience in mind, dating the movie's campy feel and horror.

Painted with satire, VFW goes back to a cultural moment, digging up the Vietnam return sub-genre and placing it in a wildly fun modern setting.

Japanese director Takashi Miike's enthralling yakuza adventure, First Love, is packed with laughs and striking characters, reminiscent of Tarantino.

While challenging social norms and casting Karloff as a vicious, manipulative husband, The Climax lacks any energy or drive in its storytelling.

Rondo Hatton stars as The Creeper, but House of Horrors is lifted by its eccentric, witty side characters rather than the body count.