While inconsistent and Eddie Murphy struggles to hold things together, The Golden Child's high points happen consistently enough.
Author: Matt Paprocki
Matt Paprocki has critiqued home media and video games for 20 years across outlets like Variety, Rolling Stone, Forbes, Playboy, Polygon, Paste, and others. His current passion project is the technically minded DoBlu.com. You can follow Matt's body of work via his personal WordPress blog, and follow him on Twitter @Matt_Paprocki.
The dueling action stars face off some 20 years (or more) too late, and Iron Mask never settles on where it goes when they're not around.
More than just fish-out-of-water comedy, Coming to America makes full use of its outstanding cast to speak on romance and wealth.
Cleverly set up and consistently entertaining, Beverly Hills Cop ranks as one of the best of its kind while smartly mixing cross-country cultures.
A human jellyfish hybrid is a unique idea stuck in an arduous, plodding, impossibly dull movie, Sting of Death.
Jaws of Death hates everyone and everything, and while certainly different in the sharksploitation genre, it's a dull mess.
The New Mutants eschews large scale action for something more intimate and focused, daring to go against trends.
While typical in its thriller format, Unhinged finds the means to stand out by involving modern social issues in a smart way.
While carrying controversy along with it, Mulan successfully embellishes the feminist themes with a stronger reality base.
Men good, women bad, or at least that's Mutiny's final lesson in telling a classic, same-y Hollywood high seas tale.
A decent zombie flick, Train to Busan Presents: Peninsula lacks the ingenuity seen in the first film, choosing to follow Hollywood trends.
Pauly Shore costs this Pauly Shore movie in the end, leaving Beach House's best moments to thrive when he's not around.