Taking an awkward concept and turning into an example of screenwriting fluency, Back to the Future wastes nothing in achieving pop culture perfection.
Author: Matt Paprocki
Matt Paprocki has critiqued home media and video games for 20 years across outlets like Variety, Rolling Stone, Forbes, Playboy, Polygon, Paste, and others. His current passion project is the technically minded DoBlu.com. You can follow Matt's body of work via his personal WordPress blog, and follow him on Twitter @Matt_Paprocki.
After an inconsistent start, Ultraman R/B finds its footing through a complex villain, challenging the show's family dynamics.
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A pedestrian action flick that mostly wastes Jean Reno and Ruby Rose, The Doorman offers little beyond remaking Die Hard.
False marketing subtitle aside, Jason Takes Manhattan at least offers a tease for the idea's potential and a satirical time capsule.
Giving Jason Vorhees a capable opponent adds a spark to The New Blood, but the movie never really capitalizes on it.