Bruce Willis barely matters in Trauma Center, letting Nicky Whelan take over the key role in this routine if marginally satisfying thriller.
Author: Matt Paprocki
Matt Paprocki has critiqued home media and video games for 20 years across outlets like Variety, Rolling Stone, Forbes, Playboy, Polygon, Paste, and others. His current passion project is the technically minded DoBlu.com. You can follow Matt's body of work via his personal WordPress blog, and follow him on Twitter @Matt_Paprocki.
While taking pieces from multiple genre films prior, My Bloody Valentine finds a way to instill a slasher with working class fears.
Lacking in plot and sticking to formula, Zombieland: Double Tap overcomes those issues through humor and gory flair.
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While the first film twisted Sleeping Beauty lore into something unique, Maleficent: Mistress of Evil boils over into a modern political debate.
Cynical and harsh, Ad Astra isn't afraid to demean humanity's efforts in space when viewed through a family separation.
Underwater's potential goes unfounded in a grating story hunting less for thrills and monsters than any sort of character definition.
Lucio Fulci mixes haunted house, psychological terror, and zombie cinema in the brutally gory House by the Cemetery.
Energized by Eddie Murphy, Beverly Hills Cop entertains while simultaneously bringing the '80s inequality into the story.
Full of the same energy and wit, Beverly Hills Cop II loses only the lightest subtext in exchange for more (and bolder) action.
Eddie Murphy returns as Axel Foley in Beverly Hills Cop III, but this is an entirely different Foley - and hardly entertaining as a result.
Battle of Jangsari recalls a forgotten part of the Korean war, using Megan Fox for star power, but throws its potential away.