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Romy Schneider’s Final Turn as Sissi

Austrian filmmaker Ernst Marischka caps off his Sissi trilogy of films with Sissi: The Fateful Years of an Empress. The winning combination of star Romy Schneider as the titular heroine, and Marischka’s lavish production style, return for the 1957 movie in another enjoyable outing. This less romantic entry in the series sees Sissi travel all over Europe. It was even entered into the 1958 Cannes Film Festival.

The lovable Sissi (Romy Schneider) as a character doesn’t receive the grand finale one may expect in this final installment, as Marischka had planned for at least one more Sissi feature that never happened. Romy Schneider refused to come back for another movie despite the urging of her mother. Her mother was actress Magda Schneider, who also portrayed Sissi’s mother Princess Ludovika in the trilogy. The film doesn’t end on a cliffhanger but the overall saga feels incomplete from a thematic standpoint.

What Sissi: The Fateful Years of an Empress does with the Empress is throw the young woman into a different situation than ever seen before in the hopeful series, a serious illness that threatens her life. For a brief moment there is the real possibility that Sissi’s storybook life will have a bad outcome.

Sissi travels all over Europe as the Empress of Austria this time. Her adventures begin in Hungary, where a dashing Hungarian Count will confess his love for her and local Gypsies read her fortune. Sissi has to play the role of diplomat in smoothing relations over between the Emperor Franz Joseph and Hungarian nobles, still bitter over their past conflict with Austria.

Director Ernst Marischka dips into mundane international diplomacy a little too much

The Sissi films are practically travelogues in their exploration of different European locales and this last entry visits Portugal and the ancient ruins of Greece. Marischka provides substantial amounts of eye candy in beautiful color. The beautifully-shot film loves exploring the majestic sights of Europe. The ever courageous Sissi shows no apprehension when riding horses or climbing mountains. The European travel bureau should use the Sissi films as vacation promos.

Returning once again for comic relief is Major Oberst Böckl, the awkward soldier with deep affections for Sissi. This time he romances a local woman in each place Sissi visits, only to lose the woman when Sissi moves on to the next destination. Most of the cast from the first two Sissi films return. The Emperor Franz Joseph plays a lesser role this time in the plot. Sissi’s romantic relationship with Emperor Franz Joseph, such a prominent element in the first two films, gives way to motherhood and time with her young daughter, Sophie.

Star Romy Schneider is still dazzling as Sissi in Sissi: The Fateful Years of an Empress and the production values are better than ever, but something seems a bit different in this third outing for the trilogy. Director Ernst Marischka dips into mundane international diplomacy a little too much and introduces mildly serious elements involving tuberculosis. The whole thing is charming in its own way, but the Sissi formula loses some luster. Romy Schneider might have known what she was doing when she refused going back for a fourth film.


Filmed in Agfacolor, a color film technology produced in Germany, all three Sissi films are presented in both their original Academy Ratio and 1.78:1 widescreen transfers. Agfacolor was used in a few Hollywood productions, including a slew of musicals in the 1950s such as Brigadoon and Seven Brides For Seven Brothers.

While not quite on par with the more familiar Technicolor process, these Agfacolor films offer a rich palette and tight saturation that suits their stunning location photography. Each of the films gets their own BD-50, encoded in transparent AVC at decent parameters. Film Movement has done a great job bringing these films to Blu-ray in quality presentations.

The Sissi movies and Victoria In Dover have all been given new 2K film restorations by ARRI Film & TV Restoration Services in conjunction with Taurus Media Digital. This is fine work from strong elements. The film transfers include a hint of mild processing, most notable in the blown-up 1.78:1 widescreen transfers taken from the original 1.37:1 elements.

The new scan captures the film grain off guard in a few scattered moments, looking processed. It’s most evident in the opening reel of Sissi, offering a glimpse of edge enhancement that thankfully disappears soon after. Call me a videophile heretic, but the widescreen transfers perform an excellent job translating the original 1.37:1 compositions.

Sissi: The Fateful Years of an Empress receives the most impressive transfer in the Sissi Collection from Film Movement. It has the most detail and least processing by far of the three Sissi transfers. The original film elements continue to be presented in remarkably pristine condition without significant wear. It’s a solid, film-like transfer of vintage celluloid with authentic grain. The colors remain tightly saturated with excellent contrast and penetrating black levels.

The beautiful costumes and production design sing in nigh perfect clarity. The Sissi film trilogy offers bold colors with a slightly pinkish hue. Detail is excellent, even considering the overall softer cinematography. It’s possible a touch of filtering was applied but generally the results are consistently loaded with fine detail. A pleasing contrast and clean visuals produce crisp definition and lively picture quality.

Film Movement’s first attempt at a major restoration of classic filmmaking is an unqualified success. The films included in the Sissi Collection represent fully restored transfers from the negative. It’s doubtful more could have been done with these films in 1080P video.


The German audio is heard in adequate 5.1 DTS-HD MA and a lesser 5.1 Dolby Digital soundtrack. Originally released in stereo, Sissi is an odd choice to remix into surround. The 1955 film has serviceable audio fidelity, albeit some distortion and harshness is evident during the more active musical passages.

There are surround elements in this mix, surprisingly enough. The sound design isn’t particularly balanced, awkwardly placing some cues to the detriment of other elements. It provides a decent listening experience but the lack of the original stereo mix is unfortunate.

Optional English subtitles play in a white font.


The Sissi Collection represents Film Movement as a label entering the big time with a five-disc set (4 Blu-rays, 1 DVD) that captures the entire Sissi film trilogy in beautiful HD. The bonuses are few but significant. The box set also includes actress Romy Schneider’s first film, Victoria in Dover, a precursor to the Sissi films that appeared in 1954. She plays Princess Victoria in that role. This is an appealing package in a sturdy Blu-ray case designed to hold each disc without problem.

Each of the movies are included in both their original 1.33:1 aspect ratios and tasteful 1.78:1 widescreen conversions.

A well-done 20-page commemorative booklet has a lengthy new essay by film critic Farran Smith Nehme.

The special features are confined to the included DVD. Forever My Love is taken from an unrestored transfer in presentable but dilapidated condition. So its inclusion in standard definition is better than nothing.

Forever My Love (145:20 in 1.33:1 SD; 2.0 Dolby Digital) – Paramount released this edited “compilation” of the Sissi film trilogy in 1962, taking scenes from all three entries. The movie is shown with its original English dub. The theme song was written by Burt Bacharach.

From Romy To Sissi (19:22 in SD; in German with English subtitles) – This vintage making-of featurette from 1956 is narrated by Romy Schneider herself with very interesting behind-the-scenes footage. It’s really quite fascinating to watch as the young actress describes the footage from the set being played. It includes footage from Sissi: The Young Empress. This has to be one of the earliest featurettes made for the purposes of film promotion. You almost never get a glimpse like this behind the camera from the 1950s.

Sissi’s Great-grandson At The Movies (04:21 in SD) – An excerpt from the 2006 documentary Elisabeth: Enigma of an Empress. An actual descendant of the historical Princess Elisabeth compares his relative to the Sissi character depicted in the movies.

Film Movement Trailer (01:26 in HD) – A sizzle reel of Feel Movement releases advertising the boutique video label.

The Best Intentions Trailer (02:33)

Pelle The Conqueror Trailer (01:41)

Antonia’s Line Trailer (01:48)

Full disclosure: This Blu-ray was provided to us for review. This has not affected the editorial process. For information on how we handle review material, please visit our about us page to learn more.

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The last film in the Sissi trilogy is another satisfying adventure with Romy Schneider as the titular Empress, if slightly more down-beat and less interesting than the first two movies.

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