DoBlu has teamed up with Anchor Bay for another great contest, this time to win two great horror films.

The original seems a bit overshadowed by its successors, both of which tend to go for the gut with straightforward comedy.

Darkman is filled with Raimi’s twisted humor, not to mention his odd sense of camera movement.

The entire concept could have been “Bruce Campbell makes a speech about his shotgun to people in medieval times,” and it would have been successful.

Everything that happens in Drag Me to Hell reverts back the source: a sweater button. If you can’t find the humor in someone’s entire soul resting on the fate of a cursed button, than Sam Raimi’s humor does not fit your tastes. Absurdly entertaining is one way to describe everything about Drag Me to Hell. [...]

Films have moved on from electricity, nuclear radiation, and DNA experiments to spawn their creatures. With The Thaw, the threat is now global warming, however unsubtle it may be. Painful delivery and forced dialogue deliver the meat of the message. Two of the main characters, Atom (Aaron Ashmore) and Federico (Kyle Schmid), sit on a [...]

Kids are creepy. They don’t need to talk. They don’t even need to move. A quiet child standing on the top of a hill staring at nothing can be terrifying. The Children knows this. Tom Shankland directs for sheer terror and succeeds in turning otherwise friendly, quiet children into monsters. Yes, this is a creature [...]

Following up on the spectacle that was Spider-Man 2 is hardly an easy task. However, it’s how far Spider-Man 3 falls that causes the massive influx of disappointment over every frame of the film. Campy scenes that feel out of place, far too much story, pointless (and wasted) characters, and occasionally lackluster special effects combine [...]