Snowpiercer is created with the mindset of surface and deeper level metaphors.
Jumper is missing reasons, things which define its fictional play space.
Man on a Ledge has a triumphant quality: it's camera work.
Tintin introduces the sly intelligence of the character behind the opening credits, in and of itself telling a brisker action set piece than most of Hollywood will push out in the summer months.
The Eagle is, if nothing else, unique in that this post 300 Hollywood