The Incredible Burt Wonderstone Review
Potential for wackiness or off-the-wall ideas come tumbling around this tepidly minded comedic fall.
Category Archives: Screenshots
Identity Thief Review
Identity Thief is a movie of aggression, unfriendly and vicious with the expectation that audiences will accept the material as harmless slapstick.
Warm Bodies Review
Warm Bodies is too self-aware to stop being wholly entertaining, merely disappointing.
Anatomy Review
Anatomy turns from a taut thriller with an air of mystery, toward a fairly predictable story about a psychotic killer.
Dead Mine Review
Dead Mine lacks a creative name, but the movie itself is a highly-polished independent production that competes very successfully with the latest Hollywood thrillers.
Cleopatra Review
The glorious epic attempts to digest too many pivotal events in its purview, far too frequently using the incredible set design to replace elements of a coherent story.
The Producers (1968) Review
Producers is loud. It screams into the camera, boisterous activity pouring from the script that can escape the confines of its lightly dated facade.
A Good Day to Die Hard Review
Movies are rarely this preposterous... or this ambitious.
Jack the Giant Slayer Review
This is excitement through egregious violence, vicious and uncouth for the PG-13.
12 Rounds 2: Reloaded Review
Reloaded brandishes baseless nudity, hardened violence, and all-around brutish attitudes that play no heed to the lunacy of the storyline.
Mr. Sardonicus Review
At a length of 90 minutes, the film feels unnecessarily padded out and overstays its welcome by the conclusion.
Shoot First, Die Later Review
Shoot First, Die Later transcends its origins as an ordinary genre movie with a smart script and excellent performances by the cast.
Join the Conversation