This is a completely ridiculous film, so why the writers Matthew Sand and J. Michael Straczynski try to take any of this seriously is a mystery.
This is a completely ridiculous film, so why the writers Matthew Sand and J. Michael Straczynski try to take any of this seriously is a mystery.
You have to feel sorry for editor Derek Brechin who was probably given nothing but similar looking footage of Dwayne Johnson to sort out and make sense of.
If you hated the first installment of a movie, hated to the point where you would rather forget you ever saw it, can a sequel with expanded character development pull you around?
Why waste time talking about how California will be engulfed in the San Andreas fault when you can throw $20 million on the screen to show it?
It is easy to pick on the abysmally edited, slow fight scenes, where elbows and kicks clearly miss their target.
Black Dynamite (Michael Jai White) is a former CIA agent, Vietnam veteran, orphan, nunchuck enthusiast, and martial arts expert. His goal? To take out “the man.”
The film chooses not to skewer the Star Wars films alone, but their industry impact.
… beyond the embarrassingly bad visual effects, Phantom is Fun (and yes, that is a capital “F”).
Hidden beneath a thick layer of 1980’s cinematic cheese in Running Man lies a timely parable about government control, media manipulation, and oppressed people.
This is little more than overly gory promotional drivel, released to sucker someone in who thought the cover art appealed to them.
