A tiresome, patience-sapping bigfoot flick, Creature from Black Lake tries even the most forgiving movie watcher.
Author: Matt Paprocki
Matt Paprocki has critiqued home media and video games for 20 years across outlets like Washington Post, Variety, Rolling Stone, Forbes, IGN, Playboy, Polygon, Ars, and others. His current passion project is the technically minded DoBlu.com. You can follow Matt's body of work via his personal WordPress blog, and follow him on Twitter @Matt_Paprocki.
Thoughtful, entertaining, and memorable, Wall-E still stands among Pixar's best.
Among the most saccharine, comfortable nostalgia ever put to film, A Christmas Story captures the kid's holiday season flawlessly.
Clark Griswold's pursuit of the perfect holiday is a timeless series of mishaps in Christmas Vacation.
The iconic example of showmanship and relevance, Casablanca remains a masterpiece for its absolute power over audiences.
Elf's delight stems from its pure, cheesy cheer, and every family has one. Maybe two.
An angry, cynical, and stark look into a proposed future, Rollerball thrives on the script's thematic weight.
Brilliantly composed, Reservoir Dogs mimics cinema as much as it moves it forward through macho violence.
Never subtle, not even for a spot of humor, Silent Running pushes an overbearing theme to its conclusion.
Sidney Poitier commands the screen, and raises To Sir, with Love's credibility in spite of dated cultural attitudes.
A nostalgic look at pre-WWII army corps, From Here to Eternity reels in the drama and steers toward inevitable tragedy.
One of the funniest and most honest holiday movies ever made, Planes, Trains & Automobiles ranks among cinema's comic elite without an ounce of age.